μουσικῶν

Alphabet Analysis

The word

1. word🔊 μουσικῶν

   mou-si-KÔN

   of musicians
2. sentence🔊 καὶ φωνὴ κιθαρῳδῶν καὶ μουσικῶν καὶ αὐλητῶν καὶ σαλπιστῶν οὐ μὴ ἀκουσθῇ ἐν σοὶ ἔτι καὶ πᾶς τεχνίτης πάσης τέχνης οὐ μὴ εὑρεθῇ ἐν σοὶ ἔτι καὶ φωνὴ μύλου οὐ μὴ ἀκουσθῇ ἐν σοὶ ἔτι

   KAI phō-NÊ ki-tha-rōi-DÔN KAI mou-si-KÔN KAI au-lē-TÔN KAI sal-pi-STÔN ou mê a-kou-STHÊ en soi E-ti KAI PÂS tekh-NI-tēs PA-sēs TEKH-nēs ou mê heu-re-THÊ en soi E-ti KAI phō-NÊ MY-lou ou mê a-kou-STHÊ en soi E-ti

   and sound of harpists and of musicians and of flute players and of trumpeters not not be heard in you still and every craftsman of every craft not not be found in you still and sound of a mill not not be heard in you still

Exegesis

The first and third clauses share the subject phōnē {φωνὴ | phōnḗ} “sound,” each followed by a series of genitives (kitharōdōn, mousikōn, aulētōn, salpistōn {κιθαρῳδῶν, μουσικῶν, αὐλητῶν, σαλπιστῶν | kitharōdōn, mousikōn, aulētōn, salpistōn}) or by the single genitive mylou {μύλου | mylou} “of a mill,” which specify the type of sound that is disappearing.

Each clause contains the strong negation construction ou mē {οὐ μὴ | ou mē} plus an aorist subjunctive—akousthē {ἀκουσθῇ | akousthē} “might be heard” or heurethē {εὑρεθῇ | heurethē} “might be found”—which in this context expresses categorical, future exclusion rather than mere possibility.