וְאֶת־מִכְנְסֵ֥י

Alphabet Analysis

The word

1. word🔊 וְאֶת־מִכְנְסֵ֥י

   ve-et-mikh-ne-SEI

   and the undergarments of
2. phraseyour reading level🔊 וְאֶת־מִכְנְסֵ֥י הַבָּ֖ד

   ve-et-mikh-ne-SEI ha-BAD

   and the undergarments of linen
3. clause🔊 וְאֶת־מִכְנְסֵ֥י הַבָּ֖ד שֵׁ֥שׁ מָשְׁזָֽר׃

   ve-et-mikh-ne-SEI ha-BAD SHESH mash-ZAR

   and the undergarments of linen fine twined
4. sentence🔊 וְאֵת֙ הַמִּצְנֶ֣פֶת שֵׁ֔שׁ וְאֶת־פַּאֲרֵ֥י הַמִּגְבָּעֹ֖ת שֵׁ֑שׁ וְאֶת־מִכְנְסֵ֥י הַבָּ֖ד שֵׁ֥שׁ מָשְׁזָֽר׃

   ve-ET ha-mits-NE-fet SHESH ve-et-pa-a-REI ha-mig-ba-OT SHESH ve-et-mikh-ne-SEI ha-BAD SHESH mash-ZAR

   and the turban of fine linen and the ornate caps of fine linen and the undergarments of linen fine twined

Exegesis

This verse continues an asyndetic enumeration of direct objects introduced by ve’et {וְאֵת | wə-ʾêṯ} ‘and’, marking each priestly garment in a distributive structure.

In the final construct phrase mikhnesey ha-bad {מִכְנְסֵי הַבָּד | mik·nə·sê ha·bāḏ}, the sequence shesh and the participle mashzar {מָשְׁזָר | māš·zār} ‘twisted’ forms a layered adjectival chain that underscores the craftsmanship and weaving technique. The retention of noun–material–modifier order reinforces the rhythmic emphasis on fine linen and twisting in the priestly vestments.