Acts 25:24ExegesisTAB

Acts 25 : 24 Accusation | Authority | Crowd
24. Linguistic Exegesis
The verse follows a narrative introduction with kai phesin {καί φησιν | kaí phē-sin} “and he says,” which introduces direct speech by Festus. The vocative sequence Agrippa {Ἀγρίππα | A-gríp-pa} and basileu {βασιλεῦ | ba-si-leû} places the royal title immediately after the name, reflecting respect and emphasizing Agrippa’s status. The coordinated phrase kai pantes hoi symparontes hemin andres {καὶ πάντες οἱ συμπαρόντες ἡμῖν ἄνδρες | kaí pán-tes hoi sym-pa-rón-tes hē-mîn án-dres} gathers the rest of the audience, with the participle symparontes functioning substantively with andres to denote “all the men who are present with us.” The present indicative theoreite {θεωρεῖτε | the-ō-reî-te} directly engages them: “you see,” introducing the object touton {τοῦτον | toû-ton} “this man.” The relative clause peri hou hapan to plethos ton Ioudaion enetychon moi {περὶ οὗ ἅπαν τὸ πλῆθος τῶν Ἰουδαίων ἐνέτυχόν μοι | perì hoû há-pan to plê-thos tôn I-ou-daí-ōn e-né-ty-chon moi} elaborates on the man by specifying that “the whole multitude of the Jews” has appealed to Festus. The aorist enetychon portrays their approach as a completed, decisive action. The prepositional structure en te Hierosolymois kai enthade {ἔν τε Ἱεροσολύμοις καὶ ἐνθάδε | én te Hi-e-ro-so-lý-mois kaí en-thá-de} uses te…kai to form a “both…and” construction, spanning Jerusalem and the current location, and thereby stressing the breadth of the accusation. The participle boontes {βοῶντες | bo-ôn-tes} modifies the subject “multitude,” describing the manner of their approach as loud outcry, while the infinitival clause me dein auton zen meketi {μὴ δεῖν αὐτὸν ζῆν μηκέτι | mḕ deîn au-tón zên mē-ké-ti} functions as the content of their shouting, reporting their judgment that “it is not necessary/right for him to live any longer.” In English, the complex relative and participial structures are rendered with finite clauses and clear sequence of thought, while preserving the focus on the addressed audience, the man on trial, and the reported demand for his death.

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